The Kath Kidston on Acid wallpaper, left out in the yard to rot. Pinned to a back wall behind an old bike and a wicker chair, the bright pattern going soft and mouldering in the Manchester damp.
There is something right about a homeware print ending up like this, the cheerful domestic thing left out in the weather until it falls apart. The pattern was always about pushing that mass-market prettiness somewhere odd, and this is about as far as it got.
Part of the Kath Kidston on Acid case study.