In August the show travelled south to the Plough in Easton, Bristol. The three prints went back up on a dark wall, a length of the wallpaper installed alongside them, and the night ran the same way it had in Manchester, prints, a DJ, a garden full of people.
Taking it to another city made it feel less like a one-off Manchester thing and more like something that could pack up and move. Same three prints, same DJ set, a different room and a different crowd finding their own way into it.
Part of the Vivienne Westwood case study.