By October I was putting the Saint with Flowers print in front of the mirror pieces, the laser-etched panels arranged into a radiating sun on a red wall, gold and blue diamonds fanning out behind her head like a halo made of glass.
Two bits of work that had nothing to do with each other, put together to see what happened. The halo in the print and the sunburst in the mirrors answering one another, one flat and printed, one cut into glass and catching the light differently as you moved.
Part of the Vivienne Westwood case study.