The Refuge's food photography is being shot on my patterns. Oysters, macarons and cocktails styled over the pink, yellow and blue geometry, the prints working as tablecloth, backdrop and menu spread at once.
Work made for walls ends up under dessert. This is the part of commissions nobody plans: the designs get a life of their own inside the venue and turn up wherever the team finds a use for them.
The high voltage cocktail spread is the best of them. The drinks match the palette.
Part of The Palace Is a Refuge.