ABOUT
I work across sound, visual art and live practice, developing projects rooted in place, people and long-term participation. My work spans performance, installation and community-led activity, often emerging through sustained relationships with spaces and the communities around them.
I’m a Peak District–based DJ, artist and designer with a lifelong habit of making things. Sets, prints, spaces and moments have all formed part of my practice. Sound has always been a constant thread. I cut my teeth at one69A, the screen-printing studio I ran at Islington Mill in Salford, where pattern, colour and repetition became central to how I work.
Alongside visual work, I maintain an active live sound practice, regularly performing in social and public spaces. This has shaped a way of working that is responsive, people-focused and grounded in the realities of rooms, audiences and shared experience.
After helping transform a disused Victorian station into Station South, a café, bar and bike hub, my practice expanded to include the day-to-day realities of running and caring for a space. Managing programmes, maintaining buildings and supporting communities became part of the work rather than separate from it. Moving to the hills changed the context but not the underlying approach.
With a home workshop and space for records, I continue to dig, practice and push blends. I return repeatedly to sound as both material and method. Current work focuses on live sound, listening-based projects and place-responsive installations, often developed slowly and collaboratively.
Across everything I do, I’m interested in how sound and making can support connection. This includes connections between people, environments and shared histories, and how creative practice can remain active, useful and embedded over time.
I’m a Peak District–based DJ, artist and designer with a lifelong habit of making things. Sets, prints, spaces and moments have all formed part of my practice. Sound has always been a constant thread. I cut my teeth at one69A, the screen-printing studio I ran at Islington Mill in Salford, where pattern, colour and repetition became central to how I work.
Alongside visual work, I maintain an active live sound practice, regularly performing in social and public spaces. This has shaped a way of working that is responsive, people-focused and grounded in the realities of rooms, audiences and shared experience.
After helping transform a disused Victorian station into Station South, a café, bar and bike hub, my practice expanded to include the day-to-day realities of running and caring for a space. Managing programmes, maintaining buildings and supporting communities became part of the work rather than separate from it. Moving to the hills changed the context but not the underlying approach.
With a home workshop and space for records, I continue to dig, practice and push blends. I return repeatedly to sound as both material and method. Current work focuses on live sound, listening-based projects and place-responsive installations, often developed slowly and collaboratively.
Across everything I do, I’m interested in how sound and making can support connection. This includes connections between people, environments and shared histories, and how creative practice can remain active, useful and embedded over time.