A year on, still making them. New designs propped up at home, a tighter ripple and a scale pattern like fish or roof tiles, worked out on the same laser-and-acid process.
The mirrors turned into the thing I kept coming back to between other jobs. Easy to start, hard to stop, every new pattern just another way of drawing with the light instead of on it.
This pair caught the sofa and the plants and me holding the camera, which is the deal with a mirror, you are always somewhere in the picture.
Part of the Mirrors (Open House) case study.